A peaceful Sunday morning turned chaotic for Azizi as he was brought to the emergency room. He was in agony, bleeding, and had huge bite marks on him, mostly on his arms and legs. He claimed it was a Boerboel that attacked him, but the doctors doubted the validity of his story due to the size of the wounds.
Meanwhile, the police received an anonymous tip suggesting that a wild animal might be on the loose in the city after having bitten someone. The tipster provided the police with the address of an apartment in Langa, Cape Town. Upon arrival, the police heard a menacing growl coming from inside through the front door. Eager to investigate, they made their way to the apartment next door, grabbed a drill, and started making tiny holes in the wall to peek inside. To their shock, they were met with the unexpected sight of a 200-kilogram African lion lounging in the Langa apartment. The pressing question was: How on earth did the king of the jungle end up there?
Back to Azizi, a 31-year-old part-time driver for a ride-sharing company who had a strong love for animals. He went to the extent of illegally acquiring an infant Cape baboon and a lion cub from an exotic animal trainer in Cape Town and bringing them to live with him in his government-subsidised apartment in Langa. Azizi already had a ball python named Sly living with him in his apartment, and now he also has a Cape baboon and a lion. What could possibly go wrong?
When Azizi acquired the Cape baboon, it was unwell, leading to a short life span. Sadly, the baboon passed away shortly after, but the lion cub survived. Azizi named the cub Shiba and raised him in his apartment, providing him with his own room, a sandbox to play in, and transitioning him to solid food. Their bond grew strong, making them the best of friends.
After two and a half years had passed, Shiba had outgrown his cub days. He had transformed into a 200-kilograms king of the beasts, yet he still resided in that government-subsidised apartment with Azizi and Sly. Azizi supposedly fed him 8 to 10-kilograms of chicken daily, considering his massive size. Lions sure do have an appetite!
If you thought a man and a giant lion sharing an apartment was a recipe for disaster, you wouldn't be alone. However, against all odds, everything was actually going perfectly well.
It was a regular day until Azizi encountered a stray house cat lingering right outside his doorstep. Driven by his affection for animals, he welcomed the cat into his home, adopted him, and lovingly named him Shadow. To ensure Shadow's comfort, Azizi arranged a special room for him, away from Shiba.
After about three weeks, Azizi and Shiba were playfully wrestling, their usual way of playing together. Suddenly, Shadow emerged from his room, and Shiba, catching a glimpse of him, immediately switched into wild animal mode. He sprang into action, pursuing Shadow relentlessly around the place in an attempt to capture and eliminate him. Azizi quickly reacted by positioning himself between Shiba and Shadow, only to end up being tackled by Shiba. Azizi held onto him tightly to prevent him from going after Shadow, but that's when Shiba latched onto Azizi's neck, then his arm, and finally clamped down on his knee, refusing to release his grip.
Azizi found himself in a precarious situation when his knee ended up in the mouth of an African lion. The tense standoff lasted for two long minutes before Shiba decided to release him. Feeling remorseful, Shiba quickly sought refuge in the bathroom. In great pain, Azizi was forced to dial for paramedics, who quickly transported him to the hospital. It was then that he fabricated a story about a Boerboel attack, worried that they would uncover Shiba and take his lion away.
Back at the neighbour's place, the police officers gazed through the hole they had created in the wall and were startled to find a fully-grown lion lounging inside. "Yoh, yoh, yooh!" the officers exclaimed in disbelief. Now, they needed to brainstorm a strategy to safely remove this 200-kilograms beast without becoming its next meal.
A police officer rappelled down the building with a tranquillizer gun in hand. Upon reaching the apartment window, he glimpsed Shiba inside. Taking aim through the bars, he fired a dart, striking Shiba on the shoulder.
Shiba's reaction was clear: he was not happy with the situation, leading him to get angry and charge at the window, repeatedly slamming against it. Fortunately, Shiba eventually succumbed to the tranquillizer, and the police were able to safely remove both Shiba and Sly from Azizi's apartment before relocating them. As expected, Azizi was taken into custody.
Charged with reckless endangerment and keeping wild animals without the proper permit, he was convicted and handed a fifteen-month prison term after a court hearing.
Sly, the ball python, was rehoused in a snake sanctuary in Cape Town, and Shiba was moved to an animal sanctuary in Paarl, where he had the opportunity to run and play with other big cats, including lions.
Until the age of nineteen years and four months, Shiba lived in that location, a significant lifespan in lion years. Sadly, he eventually passed away from natural causes.
Shadow was never seen again.
"Now that I knew fear, I also knew it was not permanent. As powerful as it was, its grip on me would loosen. It would pass."
Down!
But I believe in the truth;
Faith and hope,
Born and raised in Africa.
Growing up in Ghana,
To face the world today with my works;
Along the line to meet your love!
Miles away from my home.
Teachings,
Growing up,
To fall and to rise up again!
To follow after the truth,
Keeping the laws,
Righteous Laws;
To choose those things which are right and,
To seek for peace.
Born in Africa,
Born and raised in Africa;
Kiss, hiss, miss!
Literature from Africa;
Warm and Friendly,
To do my best for others.
Due, dew!
With the clue;
To agree to the truth,
Free like a bee! !
Seen around a tree.
Muse of love and life,
Side by side;
To pay my dues to Mama Africa.
Growing up,
Life in the Ghetto;
Inside Africa!
Literature from Africa.
Through the narrow path,
Through Creativity,
Hustle and bustle,
Table, stable, cable, able!
Sometimes unstable;
Muse from Africa,
And to respect Mama Africa.
Cultures and Traditions,
Born and raised in Africa;
Growing up in Ghana,
With the Challenges and the Changes around.
Literature of Africa!
Rivers of Africa,
Mountains of Africa,
Animals of Africa,
North, South, East and West!
With the muse of Mama Africa.
Plants and rituals,
Stages and sages,
Pages of life!
With the muse of Africa.
Born and raised in Africa,
My mind!
My love,
My identity,
My muse;
Closely related to my tribe;
The vibe!
With my works to the world.
A new day,
Sunshine love!
A new day in Africa;
Echoes of a new day with the muse of my mind,
Born and raised in Africa.
Peace and joy to all mankind without racism!
Realism;
With the truth,
With Natural Laws,
With the romance of nature.
Issue,
Tissue,
Reign! !
Oh Life! Give me what i want;
Able to touch the hearts of the people with the truth,
With righteous morals.
Inspired by the truth,
Living and learning always;
Under the umbrella of righteous morals,
Gain, again!
With righteous laws.
Chain and pain along the line,
Growing up in Africa;
Pray, ray, pay!
To heal the world with the truth.
Virago presents an updated collection of Maya Angelou's works of poetry, collected together for the first time. From her reflections on African American life and hardship in Just Give Me a Cool Drink of Water 'fore I Diiie to her revolutionary celebrations of womanhood in Phenomenal Woman and Still I Rise, and her elegant tributes to dignitaries Bill Clinton and Nelson Mandela (On the Pulse of Morning and His Day Is Done, respectively), every inspiring word of Maya Angelou's poetry is included in the pages of this volume.
This poetry book is filled with all things sunshine without ignoring the storms. Pain is real. Anxiety is real. Depression is real. Hardships in life are real. I hope when you pick up this book you feel heard and comforted. Even if it doesn't seem like it right now, your sun will rise once again.
This book delves into how environmentalist and developmentalist ideas affect the indigenous population and their socio-economic status in the DRC. It specifically looks at the Batwa pygmies, who were displaced from Kahuzi-Biega National Park in the Eastern DRC and now reside in the mountainous region. The book also examines how they currently obtain natural resources like land, forests, and water and maps out the conflicts that arise.
Al J. Venter has seen the worst crimes committed by humanity in the previous 55 years, from fleeing gunfire in war-torn nations to living in a little hamlet in Natal. Having covered more than 25 wars, he is the oldest active war correspondent. In his memoir, he skillfully narrates the tales of the battles he covered, the behind-the-scenes anecdotes, and the journey across Africa that altered his life.
In this book, readers will find a unique exploration of the struggles faced by black South Africans in relation to land, labour, dispossession, and violence over the years. Mbuso Nkosi uses the 1959 potato boycott in South Africa as a starting point for thinking about the meaning of land and ancestral connection.
A poetry book that will simultaneously make you laugh and cry. Gabrielle G. portrays various love stories in her debut collection of poems, from the first spark to the final heartbreak, and she puts the agony we've all experienced into words.
Embark on an enchanting adventure with Tales from the African Continent, where ancient stories come to life before your eyes. Immerse yourself in a world where the boundaries between reality and myth blur, and where the echoes of the past resonate in every element of nature.
With its infusion of rhythm and melody, this novel will transport you from Lesotho's Mountain Kingdom to the City of Gold as it delves into the history of famo. Famo music first emerged in the drinking establishments of migrant mineworkers in Lesotho, where they would unwind after work by singing, often with the accompaniment of an accordion, a drum, and sometimes a bass.
"Thinking big is not just for dreams and fairy tales. Your mind has awesome potential and boundless ambition. How you use that potential will steer and shape your life. Think small and that is the life you will have. Think bigger and you will never limit yourself."
This little book will put you on the path to success. Greater plans, greater answers, and greater ideas than you have ever had pertaining to your identity, goals, actions, and destination.
From the award-winning author of Kintu comes a stunning story of a feminist coming-of-age.
"If sharks were men," Mr. K. was asked by his landlady's little girl, "would they be nicer to the little fishes?"
"Certainly," he said. "If sharks were men, they would build enormous boxes in the ocean for the little fish, with all kinds of food inside, both vegetable and animal. They would take care that the boxes always had fresh water, and in general they would make all kinds of sanitary arrangements. If, for example, a little fish were to injure a fin, it would immediately be bandaged so that it would not die and be lost to the sharks before its time. So that the little fish would not become melancholy, there would be big water festivals from time to time because cheerful fish taste better than melancholy ones.
"There would, of course, also be schools in the big boxes. In these schools, the little fish would learn how to swim into the sharks' jaws. They would need to know geography, for example, so that they could find the big sharks, who lie idly around somewhere. The principal subject would, of course, be the moral education of the little fish. They would be taught that it would be the best and most beautiful thing in the world if a little fish sacrificed itself cheerfully and that they all had to believe the sharks, especially when the latter said they were providing for a beautiful future. The little fish would be taught that this future is assured only if they learnt obedience. The little fish had to beware of all base, materialist, egotistical, and Marxist inclinations, and if one of their number betrayed such inclinations, they had to report it to the sharks immediately.
"If sharks were men, they would, of course, also wage wars against one another in order to conquer other fish boxes and other little fish. The wars would be waged by their own little fish. They would teach their little fish that there was an enormous difference between themselves and the little fish belonging to the other sharks. Little fish, they would announce, are well known to be mute, but they are silent in quite different languages and hence find it impossible to understand one another. Each little fish that, in a war, killed a couple of other little fish, enemy ones, silent in their own language, would have a little order made of seaweed pinned to it and be awarded the title of hero.
"If sharks were men, there would, of course, also be art. There would be beautiful pictures in which the sharks' teeth would be portrayed in magnificent colours and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theatres at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks' jaws, lulled by the most agreeable thoughts.
"There would also be a religion if sharks were men. It would preach that little fish only really begin to live properly in the sharks' stomachs.
"Furthermore, if sharks were men, there would be an end to all little fish being equal, as is the case now. Some would be given important offices and be placed above the others. Those who were a little bigger would even be allowed to eat up the smaller ones. That would be altogether agreeable for the sharks, since they themselves would more often get bigger bites to eat. And the bigger little fish, occupying their posts, would ensure order among the little fish, become teachers, officers, engineers in box construction, etc.
"In short, if sharks were men, they would for the first time bring culture to the ocean."
Africa, Our Africa
Africa of Green and Black, of colors in between
Africa of people, of love and light, from within
Africa of ethnics and languages, of long told history
Africa of cultures and traditions, a rich tapestry.
Africa of strife and victory through colonial time
Africa of struggle through imperial crime
Africa of war, both tribal and civil
Africa of peace, condemning evil
Africa of hope, freedom and liberation
Africa of growth, of change and innovation
Africa of then: men, women - slaves to capture
Africa of now: men, women - reclaiming our valor!
Colonialism in its last moments is pushed to the centre stage -
the recoiling phenomenon intensely illuminated
by The Flame Of Liberty.
Roused by the prospect of emancipatory freedom,
from the shadows of Servitude, nations rise.
Their demand for a dawn long on hold
brings an end to the colonial yoke.
Her soul refreshed with a breath of new life,
Africa thrills at the sight of the expanding horizons -
an euphoria feelings that veiled 'Danger Signs'.
She's been bequeathed dreadful webs of intrigue:
Uneasy amalgams of multicultural colonial territories,
hitherto upheld through coercive mechanisms.
With price tags of 'patriots' hanging on won Liberty,
they bicker over the vacated Seat Of Power.
In their snobbery of honour in favour of greed,
strategic realignments of comrades produce
The Strongman: A tyrant - backed by 'jackals'
and supported by gullible public.
In a cruel twist of fate, hopeful assertion of self-rule
soon becomes the anticipation of a gaudy illusion.
The exit of Foreign Powers has delivered the people
into the grasps of Democratic Mobs:
Cabals fueled by putrid sludge of Kleptocracy,
devoid of political visions to transform into realities.
With no intent of restructuring imposed alien models,
cabals pursue joint criminal enterprises:
Good citizens are sieved out of the system,
party loyalists take over their place.
Key positions go to ruthless operators,
who translate decisions into actions.
Vast network of political jobbers across tribes are bought;
Political parties become private estates;
Police remains agent of The State;
Legislative bodies are subdued;
With the Judiciary effectively hijacked,
the oppressed has no where to seek redress.
Ultimately The Liberators Turn Into Oppressors.
Haven subverted Power Of The People
which has raised them to unfair dominion;
In frenzied torrents of greed without care,
Opportunistic Banditry is institutionalized.
In a matter of months raging economic crises follow.
And attempts to curb budget deficits upset lives,
sending an already violated citizenry
on a sad voyage into poverty.
In their scheme for hegemony, struggle credentials with
membership of the ruling party, are made the
prerequisites for political and economic ascendancy.
Their capitalist tendency reinvents imperialism.
With nepotism and sectionalism proclivity, parochial
appointments skewed towards specific groups are made.
Ethnic rivalry is promoted as one tribe is favoured above others.
Serious conflicts are provoked with diverse interest groups.
The Freedom Party once the pride of the nation
has turned public enemy number one.
With the powder keg too close to the naked flames,
BANG! It explodes. And the fire burns with a vengeance.
Turmoils of Democratic Anarchy usher in The Military:
Demagogues with perfect sets of iron teeth -
Whose stern miens wore the semblance of an undertaker.
They bait on sentiments of the masses to legitimize regime;
They promise to steer The Ship Of State
to berth on a safe harbour;
They pay lip service to their anti-corruption crusade.
They're the raiders of public treasuries!
They're the violators of Integrity Of The State!
They're the embodiments of rot!
Strategic alliance is built with oligarchs of crafty pretense.
The marriage of convenience symbiotic in its nature:
'You Rub My Back I'll Rub Yours.'
The wooed spiders, with a keen knowledge of the web
assume an oversight for the junta - reinforcing its hold
on power. Their administrative tasks keep the wheels
of government-owned enterprises turning,
thereby maintaining brazen squandering of resources.
In the quest for total control,
with the delusions that match their effronteries;
They unleash an assemblage of horrors:
Prison cells are packed with innocent citizens
picked on the flimsiest of excuses;
Rendition of dissidents tagged 'terrorists' becomes normal.
Curfews are enforced; Checkpoints are mounted;
Visible policing is achieved; With free speech punished,
displeasures are carefully altered in whispers; And
brutality is sold as pragmatic response to increased crime.
The cowardly populace petrified in its sullen expression,
in degrading submission blindly accepts Slavery.
Assets of nations are then plundered with impunity;
Ill-gotten moneys are laundered to different offshore heavens;
Treacherously, patrimonies are secretly being transferred
abroad, and governments turn around to ask for loans
on the very funds illicitly moved.
Post-colonial Africa is a continent marred with endemic conflicts;
Human Rights abuses of monumental proportions;
The entrenched lack of accountability within governments;
Shameful history of nationalized thefts by those in high places;
Quests for power at all costs - with Heads of States
holding on to power even when circumstances dictate otherwise.
Since Independence Africa has continued to stagnate
while the rest of the world have forged ahead.
But she ought to be thriving well!
She has an unrivaled wild life conducive to tourism;
Pristine ecosystem with endless stretches of fertile lands;
Rare incidences of natural disasters;
Resilient hardworking population;
Her prospects for hydroelectric supply is second to none.
She is hugely blessed with diverse mineral resources.
No other continent is endowed with as much!
Yet notoriously, Africa with such fortunes and potentials
relentlessly wallows in the throes of economic woes.
I am sorry
I am sorry that I am seen as inferior
I am sorry that I walk around real loud and oh so proud.
I am sorry that I stand out,
I stand out because I am different
Uxolo bhuti for being myself
For standing up for myself,
For fighting for my rights
Uxolo bhuti for wearing a dress
For wearing something that you might define as revealing
I, as intombi find this dress appealing
Ke maswabi that your imagination ran wild and left you aroused
Your thoughts, your actions
Are you proud
Are you proud that you left my dignity dead and my spirit without a chance to rise
Tshwarelo mama afrika
Your children have no love for each other
Your children are dancing with knives just for clout
Ringing their neighbours necks just for selling bread at half price
Some of your children are crying without a voice
Some of your children are left with scars that are not seen, without choice
Asseblief ma
Ek weet jy is kwaad
I know it hurts to see the gifts that you gave us flow like the fluent Tanganyika and into the rich man's mouth
I know it hurts to see the spirit of Ubuntu replaced by the spirit of Izita
Asseblief ma, retshwarele
I know it hurts that you're beginning to rifts apart like modern day families disconnecting
You're ripping apart from small Djibouti, down to vibrant Maputo
We all see that
We live in a patriarchal society where we find ourselves apologizing for being female,
And where smashing makes you alpha male
We all smell
The gunpowder over all the Chlorofluorocarbon emissions
We all smell the iron in the blood of the victims
Mothers and Fathers
Sisters and Brothers
We miss their presence as we see them disappear
We miss the safety of our hometowns
We need not a teaser nor a knife to feel safe
All we cry for is change
Nothing more
Nothing less
Just change
Dance, dance!
With the muse of Africa;
Tap, tap!
With the rhythm of Africa;
Moving your body and,
Moving your steps;
To the sounds and cultures of the various tribes in Africa.
Dance, dance!
To the rhythm of Africa;
Tap, tap!
With the movements of the muse of Africa;
To a continent of nature's muse,
To a continent of multi-languages,
To a continent full of colours!
Fron North, South, East and West;
Come to Africa and see things for yourselves.
Rhythm of Africa,
Rhythm of various customs and cultures,
Rhythm of the various countries in Africa,
Rhythm of the animals,
With the beauty of nature as seen around.
Dance, dance!
Dance with the steps and shake your body;
To the rhythm of Africa touching your heart and soul.
Tap, tap!
With the movements of the muse of Africa;
Rhythm of Africa!
With the muse of various races in Africa;
Expressing their cultures and customs to the muse of the rhythm of Africa.
Millions queued in lines before Arbiter Of Disputes.
Hopes were high,
Duty and resolve holding firm.
Hearts dance with spirit of Emancipation,
Each with ammo stronger than bullet,
Ready to dislodge a fiendish cabal out of Power.
All conscious of the long night of tribulation.
Singly, the weapons were discharged
Into The Receptacle Of Liberty;
Upon which they received baptisms of Freedom.
Inside the altar tugs of war ensued:
Invisible fibres bound and aligned aspirations.
Popular Will prevailed.
Bearing the scars of Apartheid,
Indigenous people celebrate the birth of Democracy.
Ballot Box had come at a great expense;
At all costs its sacredness shall be preserved.
Those were the surviving heroes and heroines of Mzansi.
Don't cry for me Africa
Because I will never let you out of my mind
I hear your voices people of Africa
I hear your cries people of Africa
I see pain in your eyes people of Africa
It is hard to describe what you people of Africa are going through
Poverty strikes you all people of Africa
Don't cry for me Africa
Because I will keep you in my prayers people of Africa
Power to the people of Africa
People of Africa lift your spirit higher
Lord is the light and truth people of Africa
The Lord sends you a message from his heart to you people of Africa
He said because I love you
I will answer your prayers
I hear your prayers
Don't cry for me Africa
Because you have a friend that is the Lord
People of Africa continue doing the Lord's work
Make a wish people of Africa
The people of Africa are looking at the Lord face to face
Lord here is no paradise
We dream a little dream said the people of Africa to the Lord
The People of Africa Pray that the Lord will give each other strength every day
Don't cry for me Africa
Save the people of Africa
Strengthened the people of Africa each day
Because I'll be there in your dreams people of Africa
The people of Africa tells The Lord how much they love him
Don't cry for me Africa
Lord comes when you are ready people of Africa
Feelings you have for your Lord People of Africa
And I know you will never let it die
Nothing but flowers the people of Africa will plant in the sea shore for the Lord
Don't cry for me Africa
The people of Africa needs hope to heal there land
The Lord rose up on you people of Africa
Don't cry for me Africa
My heart will go on
Once I close this door of the ship I will sail across the Atlantic Sea
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
Don't let your heart stay broken
Do not stay fixated on what could have been
Focus on all that was deep
Be thankful you smiled
Be thankful you cried
And be thankful you loved and were loved
Because no magician is strong enough to conjure the magic you've created
So don't let your heart stay broke
Don't focus on the darkness
Or things that did not last
Don't look back at your pas
When your future is that bright..
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.
Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything? The tree
Budding yearly must forget
How its past arose or set
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.
Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.
Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.
All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
One of the last (if not the last) of Africa's
tallest trees has fallen
Yes, Kofi Anan breathes no more
Death has stolen one of the last true sons of the soil
Death has stolen one of the last of Africa's favorite sons
Africa is weeping!
Africa is mourning!
Africa is weeping!
Africa is mourning!
One who was an embodiment of integrity is no more
Africa is mourning!
One who was Africa's pride and joy breathes no more
Africa is inconsolable!
One who was a compass of morality is late
Africa is weeping!
Oh Africa! Was Kofi your last born?
Is any of your favorite sons still alive?
Corruption is rampant
Integrity is not in any of our leaders vocabulary
Moral decay stinks up to the heavens
God and His angels must be closing their noses.
You join your fellow brothers
You join other favorite sons of Africa
You join Jomo Kenyatta
You join Patrice Lumumba
You join Julius Nyerere
You join Steve Biko
You join Nelson Mandela
One of Africa's tallest trees has fallen
Kofi Anan breathes no more.
Make each day your masterpiece.
"One of the sayings in our country is Ubuntu - the essence of being human. Ubuntu speaks particularly about the fact that you can't exist as a human being in isolation. It speaks about our interconnectedness. You can't be human all by yourself, and when you have this quality - Ubuntu - you are known for your generosity. We think of ourselves far too frequently as just individuals, separated from one another, whereas you are connected and what you do affects the whole world. When you do well, it spreads out; it is for the whole of humanity."
What To Read Next?
Bantu Knots
Young Naledi desires to trade her Bantu knots for Nonhle Thema's hair on the Dark and Lovely box. She hopes to resemble her light-skinned mother. Ledi lives in Pimville with her strict grandmother, Mama Norah, while her mother, Dineo, pursues a lavish lifestyle.
An African Story
"The pioneers in my family went to Rhodesia just before the Boer War in 1896, travelling on one of the first trains to Bulawayo. My father and uncle left home in 1928 going up to Northern Rhodesia to work on the copper mines. My grandfather opened up new gold mines in Penelonga and built the house at Manchester Gardens in the Eastern Highlands of Rhodesia. He ranched, mined, gambled and raised a family of five boys and a girl in an Africa that was very wild and primitive. My great grandfather was born in England, travelled in the Wild West of America before ending up in Cape Town where his daughter married my grandfather and travelled north. My mother arrived in Africa from England in 1936 under the auspices of the 1820 settlers club and travelled up to Northern Rhodesia where she met my father. My friends and I went to boarding school in Lusaka and many of us went on to achieve great things in life. The mining towns of the Copperbelt and the many old characters that lived in Rhodesia form a large part of the backdrop of my life. My wife, on an impulse, accepted a job with the copper mines in Zambia in 1968 as a young girl. She knew many of the characters in these stories and knows how likely the unlikely tales are. Out of all this comes a wealth of reality and myth that cannot possibly go untold."
African Fables, Book III
These African fables are part of the traditional folklore of African peoples in the Democratic Republic of the Congo, Botswana, and Gabon. African culture is enriched by such lessons that provide universal wisdom and instruction for all of us no matter what our culture or background. To improve the lesson, each story is accompanied by a cartoon and an African proverb or saying. Although these stories are meant for elementary school students, they can be used with children of all ages.
Our Lady of Benoni
Bra Zakes illustrates the outcomes of crossing boundaries: elements that are viewed as unclean and detrimental to the harmony and sanctity of a group, society, and culture are examined; forbidden topics, irrational beliefs, traditions, and ethical principles are scrutinized and occasionally parodied.
African Short Stories
"The International Society of Literary Fellows (Lsi) is the society of creative writers and scholars from African and the world with a critical interest in current developments around modern cultures of indigenous and foreign language expressions. In partnership with Progeny international, the Lsi aims to assess and promote the emergence of works of visionary creative impetus in the genres of modern African fiction, non-fiction and visual arts. 38 stories are included in this anthology."