Pradeep, a police officer based in Benoni, South Africa, grew weary of his monotonous routine. In search of thrill, he devised a bold scheme to rob a bank.
He booked an early flight from Johannesburg to Durban, rented a car upon landing, and made his way to a nearby bank. Before leaving his vehicle, he put on a wig and a fake beard. Once inside the bank, he pointed his gun at the teller, insisting she fill his bag with cash. After successfully obtaining the money, he quickly left and caught the next flight back to Johannesburg.
The robbery went off seamlessly, leaving Pradeep buzzing with excitement. This thrill ignited a series of plans for more bank robberies, one after another, until he was frequently flying to Durban on his days off to execute yet another daring theft. He even started hitting up local banks in Johannesburg during his lunch breaks. With his ingenious disguises, he could pull off the crime and then seamlessly return to the area, leaving witnesses completely unaware that he was the very person they were describing.
Pradeep had honed his skills in bank robbery to perfection; he was intimately familiar with the intricacies of bank security systems, allowing him to dodge capture time after time. Over the course of four thrilling years, he successfully executed heists at around 30 different banks, with each adventure delivering an adrenaline-fuelled thrill.
One fateful evening, the atmosphere shifted dramatically. At a vibrant party, he indulged a bit too much in the drinks and struck up a conversation with his buddy Larry. Fuelled by a surge of confidence, he started bragging to Larry about his latest bank heists, insisting he was a master in the art of robbery.
Larry worked for SAMBO, a branch of the South African Police Service focused on combating organised crime, economic offences, and corruption. Bound by his oath and the responsibilities of his role, he realised he could not stay silent about the secret and chose to bring it to the attention of his superiors.
Upon Pradeep's return from Durban, having just pulled off another bank heist, the police were poised and ready at the baggage claim. He was taken into custody and sentenced to 18 years in prison. However, Pradeep wasn't about to give up; he began devising his escape plan even as the judge delivered his verdict.
While he was incarcerated, he crossed paths with a man named Mpande, and shortly thereafter, he met another fellow inmate named Fanie. Both were serving sentences for robbery, and before long, the trio developed a solid friendship that would see them through their time behind bars.
After nearly three years of incarceration, the trio concocted a bold escape strategy. They initiated their plan by having Pradeep and Mpande feign injuries, successfully persuading the prison guards to escort them to an external physiotherapist for care. Upon arrival, they seized the moment, overpowering the guards and taking their firearms. Armed with the guards' weapons, they commandeered the physiotherapist's vehicle and made a thrilling escape. Following their flight, they opted to lay low for some time.
Several months went by, and they launched a daring assault on the prison where Fanie was held captive, guns blazing, and managed to break him out. Now that the trio was back together and on the run, they had to find a place to lay low.
Pradeep was filled with restlessness, craving the thrill of robbing banks once more. He, along with his two accomplices, set off on a daring escapade, starting with one bank and swiftly moving to the next, then a third. Their spree continued as they hit bank after bank, all while sporting ridiculous disguises: giant sunglasses, bushy moustaches, and fake beards. They may have looked comical, but their synergy was impressive, allowing them to complete a heist in under five minutes. On some occasions, they even managed to rob several banks in a single day without being apprehended.
As their exploits gained notoriety, news of the bank robbers spread like wildfire through the community. Surprisingly, many locals began to rally behind them, captivated by how they outsmarted the police. Pradeep, Mpande, and Fanie found themselves in the spotlight as unlikely heroes, affectionately dubbed "The Invisibles" by their growing legion of fans. The frenzy surrounding them was palpable, and their faces were splashed across every news platform, igniting discussions far and wide. They untimately became South Africa's most wanted.
Over a span of several months, the crime spree showed no signs of slowing down. The gang found shelter in various safe houses, seized every chance to rob banks, amassed a significant amount of cash, and filled their leisure time with a parade of escorts.
Pradeep had a disturbing tendency to target unsuspecting young women, posing as a professional photographer. He lured them to his hotel room with the allure of a photoshoot, only to take advantage of them in a shocking way. One brave victim mustered the strength to report his heinous behaviour to the authorities.
With the threat of being captured hanging over them, the three quickly formulated an ingenious escape strategy to leave the country. They decided to obtain a yacht, aiming to make their getaway by sea. They believed this maritime route offered a greater sense of safety.
Using a fraudulent passport, Pradeep headed to Australia to finalise the discussions surrounding the yacht sale. Meanwhile, back in South Africa, law enforcement was closing in on one of the gang's secret locations. It appeared that some of the gang's escorts had tipped off the authorities. At approximately 4:00 am, the police surrounded the location, with Mpande being the sole occupant of the hideout. Police ordered the gang to come out with their hands raised. In a surreal moment, Mpande, still dripping from his shower and entirely naked, reached for his weapon and found himself in a frantic butt-naked shootout with law enforcement. The police burst into the house, and gunfire erupted around him as he dashed from one room to another, firing back at his pursuers. When they finally cornered him, he made a tragic choice, turning the gun on himself and ending it all.
In the meantime, Fanie received a tip-off that the police were closing in on them. He quickly made his escape, using a counterfeit passport to catch a flight to Greece. By the time the police conducted their raid on the gang's safe houses, he had already vanished. However, in one of those locations, they discovered photographs of a woman whom Pradeep had assaulted several months earlier. This evidence not only corroborated her account of being exploited by him but also linked the safe house directly to Pradeep.
The safe house provided crucial information that directed the police to the yacht they had purchased. From there, they traced a crew member hired to navigate it, who revealed that Pradeep was meant to transport the yacht to Australia. This development led law enforcement to conclude that Pradeep might be in Australia. Local newspapers caught wind of the story and began featuring Pradeep's photo, causing residents in Melbourne to be on the lookout for him.
One fateful morning, everything began to unravel for Pradeep. He was browsing a used car dealership, eager to find a new car, worried that his old one might give him away. The salesman, having seen Pradeep's face in the local newspaper, kept quiet at first but later decided to alert the authorities.
That night, the police made their way to Pradeep's apartment, forcefully entering the premises. But to their dismay, Pradeep was nowhere to be found. But just when it seemed like they were at a dead end, one of the officers spotted him whizzing by on a bicycle. There was no doubt about it; he recognised him instantly. The police officer dashed over to confront him. Realising what was happening, Pradeep jumped off his bike and made a run for it.
The police officer pursued him relentlessly until he finally caught up. Pradeep, who had been feigning surrender, suddenly lunged for the officer's shotgun. In a split second, the officer reacted by drawing his secondary weapon and fired four shots into Pradeep's chest, resulting in his immediate death.
Fanie, the sole remaining member of the trio, ended up in Brazil, where he tried to pull off another heist. Unfortunately, his plan failed spectacularly, resulting in his arrest and a life sentence without the possibility of parole.
"Now that I knew fear, I also knew it was not permanent. As powerful as it was, its grip on me would loosen. It would pass."
No end of story has been told, several legends have been born; tiny runnels have wiped out into the Nile; massive water courses had gorged the Indian and the Atlantic.
Africa is the native land of all mankind species, our cherished fatherland is the continent of Africa; you are always welcome to Africa.
Jewels are found in the stain atop, pure beauty is found in our hearts; giving hope with full-blown vision.
For many people of the world, Africa is time and again seen through a spare monocle, purified curtain abodes of indigence, deprivation, illness, dearth, and blues.
Yes, we have our threat, it's true, but we are a people of physiques, resilience and faith; African elevation comes alive as a cloud nine.
Africa is a continent of countries, clans, of peoples; each with its olden days, its voice, its rainbows; its bounty of rituals, the diversity of its arts; and the charm of its civilization.
Africa is a nook of titanic conceivable of chow that is appetizing, fervent and sweet; Africa is not a spot of shadows, but a distance of light of a nightmare and opportunity; Africa is not a hole of pity, but a place of influence and self-respect.
We are the offshoot of a proud continent, Africa is where the sun steps up and bents with a scorching effulgence; making it a place where every day is a sunny season.
"The International Society of Literary Fellows (Lsi) is the society of creative writers and scholars from African and the world with a critical interest in current developments around modern cultures of indigenous and foreign language expressions. In partnership with Progeny international, the Lsi aims to assess and promote the emergence of works of visionary creative impetus in the genres of modern African fiction, non-fiction and visual arts. 38 stories are included in this anthology."
Born White Zulu Bred narrates the experiences of a white youngster and his brother brought up in poverty in a Zulu community in rural South Africa during the apartheid period. Creina and Neil Alcock, their exceptional parents, abandoned a life of privilege to live and serve the impoverished people of Msinga, making their welfare their primary concern.
A masterpiece from a giant of African literature. Things Fall Apart recreates African tribal life before Christianity and shows how the coming of the white man led to the breaking up of the old ways.
From the award-winning author of Kintu comes a stunning story of a feminist coming-of-age.
"This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface."
Doris Lessing, a 2007 Nobel Prize winner in Literature. This is her best collection of African Stories. It includes every story Doris Lessing has written about Africa - The Old Chief's Country; The four tales about Africa from Five; The African stories from The Habit of Loving and A Man and Two Women; and four stories featured only in this edition.
The seven tales included in this anthology are all set in the vibrant early 1960s, when colonial control gave way to independence. In addition to the beautiful young Sierra Leonean who alarms her community with her drastic action, they also depict the complex lives of a diverse population, including a leper who survives another day of beggary, an expatriate couple facing a headless staircase and their own existential crises, a villager who has fallen on hard times and laments how he feeds his family, a British colonial officer and a traditional chief who fear a diminished status as they confront a dramatic change in their chiefdom, and so on.
"Thinking big is not just for dreams and fairy tales. Your mind has awesome potential and boundless ambition. How you use that potential will steer and shape your life. Think small and that is the life you will have. Think bigger and you will never limit yourself."
This little book will put you on the path to success. Greater plans, greater answers, and greater ideas than you have ever had pertaining to your identity, goals, actions, and destination.
Al J. Venter has seen the worst crimes committed by humanity in the previous 55 years, from fleeing gunfire in war-torn nations to living in a little hamlet in Natal. Having covered more than 25 wars, he is the oldest active war correspondent. In his memoir, he skillfully narrates the tales of the battles he covered, the behind-the-scenes anecdotes, and the journey across Africa that altered his life.
There are eight traditional African tales in this anthology. These enduring tales of bravery, wisdom, wit, and heroic deeds are adorned with exquisite hand-sewn collage artwork embellished with African beads.
"If sharks were men," Mr. K. was asked by his landlady's little girl, "would they be nicer to the little fishes?"
"Certainly," he said. "If sharks were men, they would build enormous boxes in the ocean for the little fish, with all kinds of food inside, both vegetable and animal. They would take care that the boxes always had fresh water, and in general they would make all kinds of sanitary arrangements. If, for example, a little fish were to injure a fin, it would immediately be bandaged so that it would not die and be lost to the sharks before its time. So that the little fish would not become melancholy, there would be big water festivals from time to time because cheerful fish taste better than melancholy ones.
"There would, of course, also be schools in the big boxes. In these schools, the little fish would learn how to swim into the sharks' jaws. They would need to know geography, for example, so that they could find the big sharks, who lie idly around somewhere. The principal subject would, of course, be the moral education of the little fish. They would be taught that it would be the best and most beautiful thing in the world if a little fish sacrificed itself cheerfully and that they all had to believe the sharks, especially when the latter said they were providing for a beautiful future. The little fish would be taught that this future is assured only if they learnt obedience. The little fish had to beware of all base, materialist, egotistical, and Marxist inclinations, and if one of their number betrayed such inclinations, they had to report it to the sharks immediately.
"If sharks were men, they would, of course, also wage wars against one another in order to conquer other fish boxes and other little fish. The wars would be waged by their own little fish. They would teach their little fish that there was an enormous difference between themselves and the little fish belonging to the other sharks. Little fish, they would announce, are well known to be mute, but they are silent in quite different languages and hence find it impossible to understand one another. Each little fish that, in a war, killed a couple of other little fish, enemy ones, silent in their own language, would have a little order made of seaweed pinned to it and be awarded the title of hero.
"If sharks were men, there would, of course, also be art. There would be beautiful pictures in which the sharks' teeth would be portrayed in magnificent colours and their jaws as pure pleasure gardens, in which one could romp about splendidly. The theatres at the bottom of the sea would show heroic little fish swimming enthusiastically into the jaws of sharks, and the music would be so beautiful that to the accompaniment of its sounds, the orchestra leading the way, the little fish would stream dreamily into the sharks' jaws, lulled by the most agreeable thoughts.
"There would also be a religion if sharks were men. It would preach that little fish only really begin to live properly in the sharks' stomachs.
"Furthermore, if sharks were men, there would be an end to all little fish being equal, as is the case now. Some would be given important offices and be placed above the others. Those who were a little bigger would even be allowed to eat up the smaller ones. That would be altogether agreeable for the sharks, since they themselves would more often get bigger bites to eat. And the bigger little fish, occupying their posts, would ensure order among the little fish, become teachers, officers, engineers in box construction, etc.
"In short, if sharks were men, they would for the first time bring culture to the ocean."
Africa Africa Africa!
Oh the once mighty and heroic Africa
Why has thou grown so cold?
Why has thou remained thus numb?
A fremd is here in thy enclave
Battling thy home without mercy
And battering thy all in thy all
Before thy very eyes, oh Africa!
Thy peace is stolen
And fear injected in thy veins
With thy activities all at halt
All by same unwelcome visitor.
Thy hands are caged
And thy mouth silenced with mask
While thy children die in numbers
Before thy very eyes, oh Africa!
Hunger is dire in the land
Yet thy children are home and docked
For the fear of the fremd
And thou dost nothing.
Thou keepest quite, oh Africa!
In the midst of all these
Waiting for the Whites to solve thy puzzle
And the world to come to your rescue.
When hast thou grown lazy, Africa?
Where are thy ecumenic powers?
Where are thy roots and thy foods?
What happened to thy herbs?
Why art thou dependent on the Whites?
Why hope on them for solution?
Why look akimbo, oh Africa?
Can't solution come from thee?
Are thy bushes there in vain?
Thy creatures and powers to create
Africa, recall thy deeeds in the past
And mights and beauty in the days of old.
Arise, oh Africa, to save the world
For a fremd has trapped the earth
And the key with the earth remains
Arise oh Africa, and find ye the key.
Arise, Africa, Arise
Leverage thy powers and flowers
The world is waiting for your
Arise, oh Africa, arise
We are the miracles that God made
To taste the bitter fruit of Time.
We are precious.
And one day our suffering
Will turn into the wonders of the earth.
There are things that burn me now
Which turn golden when I am happy.
Do you see the mystery of our pain?
That we bear poverty
And are able to sing and dream sweet things
And that we never curse the air when it is warm
Or the fruit when it tastes so good
Or the lights that bounce gently on the waters?
We bless things even in our pain.
We bless them in silence.
That is why our music is so sweet.
It makes the air remember.
There are secret miracles at work
That only Time will bring forth.
I too have heard the dead singing.
And they tell me that
This life is good
They tell me to live it gently
With fire, and always with hope.
There is wonder here
And there is surprise
In everything the unseen moves.
The ocean is full of songs.
The sky is not an enemy.
Destiny is our friend.
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.
Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything? The tree
Budding yearly must forget
How its past arose or set
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.
Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.
Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.
All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
Bitterbessie dagbreek
bitterbessie son
'n spieel het gebreek
tussen my en hom
Soek ek na die grootpad
om daarlangs te draf
oral draai die paadjies
van sy woorde af
Dennebos herinnering
dennebos vergeet
het ek ook verdwaal
trap ek in my leed
Papegaai-bont eggo
kierang kierang my
totdat ek bedroe
weer die koggel kry
Eggo is geen antwoord
antwoord hy alom
bitterbessie dagbreek
bitterbessie son
Pot of love,
Dot with life!
Spot of peace,
Hot like the sun;
Love Brewed In The African Pot!
My identity,
My continent,
My Country,
My land,
Love Brewed In The African Pot!
Mama Africa,
Africa! Africa!
My identity,
The Colour of my Skin,
The muse of life,
The muse of my mind,
Africa! Africa!
Cultures and Traditions,
My continent,
My Country,
My land,
My identity,
Love Brewed In The African Pot!
Mama Africa,
The continent of my birth,
With the muse of my mind to the world so sweet!
Poetry,
Way of life;
Presenting my works to the world,
From Africa!
Being an African,
Born and raised in Ghana,
My identity,
My life,
Love and art!
Love and life,
Peace and joy!
Mama Africa,
Africa! Africa!
Mama Africa,
Love Brewed In The African Pot!
With the fragrance of life and the romance of nature;
The beauty of creation,
The Harmony of life,
Mama Africa,
The Symphony of the truth!
With righteous morals;
Africa! Africa!
Mama Africa,
The colours of life,
With the aroma of creation;
Love Brewed In The African Pot!
Mama Africa!
Welcome to Africa,
Mamaa! Mamaa!
Mama Africa my Homeland;
She is Mama Africa!
Welcome into the jungle,
Welcome into her jungle,
Welcome into my world so sweet with the muse of my mind!
Mama Africa's Identity,
My Homeland,
My identity,
With the muse of Africa!
North, south, east and west;
With the muse of Mama Africa.
She is Mama Africa!
Facing the world,
Her muse is for you and me!
The muse of Mama Africa;
Cried the Beloved Child!
Mamaa! Mamaa!
Cried the Beloved Child of Africa.
Hear my voice,
My choice is with my mind;
Hear the echoes of Mama Africa!
The cry of the jungles,
The cry of the streets!
Oh! What a beauty she beholds;
The beauty of Mama Africa.
Africa! Africa! Africa!
Mama Africa my Homeland;
Mamaa! Mamaa!
Oh! What a beauty she beholds;
Oh Mama Africa!
Riches and beauty,
Colours and Natural Resources!
Mama Africa we need you,
We need your sweet love,
Able to carry on our dreams.
The beauty of this continent,
Africa!
The beauty of your Name;
Mama Africa!
The colour of your skin and, the colours of your children;
Mama Africa!
We need your sweet love,
Able to carry on with our Talents.
I am sorry
I am sorry that I am seen as inferior
I am sorry that I walk around real loud and oh so proud.
I am sorry that I stand out,
I stand out because I am different
Uxolo bhuti for being myself
For standing up for myself,
For fighting for my rights
Uxolo bhuti for wearing a dress
For wearing something that you might define as revealing
I, as intombi find this dress appealing
Ke maswabi that your imagination ran wild and left you aroused
Your thoughts, your actions
Are you proud
Are you proud that you left my dignity dead and my spirit without a chance to rise
Tshwarelo mama afrika
Your children have no love for each other
Your children are dancing with knives just for clout
Ringing their neighbours necks just for selling bread at half price
Some of your children are crying without a voice
Some of your children are left with scars that are not seen, without choice
Asseblief ma
Ek weet jy is kwaad
I know it hurts to see the gifts that you gave us flow like the fluent Tanganyika and into the rich man's mouth
I know it hurts to see the spirit of Ubuntu replaced by the spirit of Izita
Asseblief ma, retshwarele
I know it hurts that you're beginning to rifts apart like modern day families disconnecting
You're ripping apart from small Djibouti, down to vibrant Maputo
We all see that
We live in a patriarchal society where we find ourselves apologizing for being female,
And where smashing makes you alpha male
We all smell
The gunpowder over all the Chlorofluorocarbon emissions
We all smell the iron in the blood of the victims
Mothers and Fathers
Sisters and Brothers
We miss their presence as we see them disappear
We miss the safety of our hometowns
We need not a teaser nor a knife to feel safe
All we cry for is change
Nothing more
Nothing less
Just change
O fleece, that down the neck waves to the nape!
O curls! O perfume nonchalant and rare!
O ecstasy! To fill this alcove shape
With memories that in these tresses sleep,
I would shake them like penions in the air!
Languorous Asia, burning Africa,
And a far world, defunct almost, absent,
Within your aromatic forest stay!
As other souls on music drift away,
Mine, O my love! still floats upon your scent.
I shall go there where, full of sap, both tree
And man swoon in the heat of the southern climates;
Strong tresses be the swell that carries me!
I dream upon your sea of amber
Of dazzling sails, of oarsmen, masts, and flames:
A sun-drenched and reverberating port,
Where I imbibe colour and sound and scent;
Where vessels, gliding through the gold and moire,
Open their vast arms as they leave the shore
To clasp the pure and shimmering firmament.
I'll plunge my head, enamored of its pleasure,
In this black ocean where the other hides;
My subtle spirit then will know a measure
Of fertile idleness and fragrant leisure,
Lulled by the infinite rhythm of its tides!
Pavilion, of autumn-shadowed tresses spun,
You give me back the azure from afar;
And where the twisted locks are fringed with down
Lurk mingled odors I grow drunk upon
Of oil of coconut, of musk, and tar.
A long time! always! my hand in your hair
Will sow the stars of sapphire, pearl, ruby,
That you be never deaf to my desire,
My oasis and my gourd whence I aspire
To drink deep of the wine of memory.
Colonialism in its last moments is pushed to the centre stage -
the recoiling phenomenon intensely illuminated
by The Flame Of Liberty.
Roused by the prospect of emancipatory freedom,
from the shadows of Servitude, nations rise.
Their demand for a dawn long on hold
brings an end to the colonial yoke.
Her soul refreshed with a breath of new life,
Africa thrills at the sight of the expanding horizons -
an euphoria feelings that veiled 'Danger Signs'.
She's been bequeathed dreadful webs of intrigue:
Uneasy amalgams of multicultural colonial territories,
hitherto upheld through coercive mechanisms.
With price tags of 'patriots' hanging on won Liberty,
they bicker over the vacated Seat Of Power.
In their snobbery of honour in favour of greed,
strategic realignments of comrades produce
The Strongman: A tyrant - backed by 'jackals'
and supported by gullible public.
In a cruel twist of fate, hopeful assertion of self-rule
soon becomes the anticipation of a gaudy illusion.
The exit of Foreign Powers has delivered the people
into the grasps of Democratic Mobs:
Cabals fueled by putrid sludge of Kleptocracy,
devoid of political visions to transform into realities.
With no intent of restructuring imposed alien models,
cabals pursue joint criminal enterprises:
Good citizens are sieved out of the system,
party loyalists take over their place.
Key positions go to ruthless operators,
who translate decisions into actions.
Vast network of political jobbers across tribes are bought;
Political parties become private estates;
Police remains agent of The State;
Legislative bodies are subdued;
With the Judiciary effectively hijacked,
the oppressed has no where to seek redress.
Ultimately The Liberators Turn Into Oppressors.
Haven subverted Power Of The People
which has raised them to unfair dominion;
In frenzied torrents of greed without care,
Opportunistic Banditry is institutionalized.
In a matter of months raging economic crises follow.
And attempts to curb budget deficits upset lives,
sending an already violated citizenry
on a sad voyage into poverty.
In their scheme for hegemony, struggle credentials with
membership of the ruling party, are made the
prerequisites for political and economic ascendancy.
Their capitalist tendency reinvents imperialism.
With nepotism and sectionalism proclivity, parochial
appointments skewed towards specific groups are made.
Ethnic rivalry is promoted as one tribe is favoured above others.
Serious conflicts are provoked with diverse interest groups.
The Freedom Party once the pride of the nation
has turned public enemy number one.
With the powder keg too close to the naked flames,
BANG! It explodes. And the fire burns with a vengeance.
Turmoils of Democratic Anarchy usher in The Military:
Demagogues with perfect sets of iron teeth -
Whose stern miens wore the semblance of an undertaker.
They bait on sentiments of the masses to legitimize regime;
They promise to steer The Ship Of State
to berth on a safe harbour;
They pay lip service to their anti-corruption crusade.
They're the raiders of public treasuries!
They're the violators of Integrity Of The State!
They're the embodiments of rot!
Strategic alliance is built with oligarchs of crafty pretense.
The marriage of convenience symbiotic in its nature:
'You Rub My Back I'll Rub Yours.'
The wooed spiders, with a keen knowledge of the web
assume an oversight for the junta - reinforcing its hold
on power. Their administrative tasks keep the wheels
of government-owned enterprises turning,
thereby maintaining brazen squandering of resources.
In the quest for total control,
with the delusions that match their effronteries;
They unleash an assemblage of horrors:
Prison cells are packed with innocent citizens
picked on the flimsiest of excuses;
Rendition of dissidents tagged 'terrorists' becomes normal.
Curfews are enforced; Checkpoints are mounted;
Visible policing is achieved; With free speech punished,
displeasures are carefully altered in whispers; And
brutality is sold as pragmatic response to increased crime.
The cowardly populace petrified in its sullen expression,
in degrading submission blindly accepts Slavery.
Assets of nations are then plundered with impunity;
Ill-gotten moneys are laundered to different offshore heavens;
Treacherously, patrimonies are secretly being transferred
abroad, and governments turn around to ask for loans
on the very funds illicitly moved.
Post-colonial Africa is a continent marred with endemic conflicts;
Human Rights abuses of monumental proportions;
The entrenched lack of accountability within governments;
Shameful history of nationalized thefts by those in high places;
Quests for power at all costs - with Heads of States
holding on to power even when circumstances dictate otherwise.
Since Independence Africa has continued to stagnate
while the rest of the world have forged ahead.
But she ought to be thriving well!
She has an unrivaled wild life conducive to tourism;
Pristine ecosystem with endless stretches of fertile lands;
Rare incidences of natural disasters;
Resilient hardworking population;
Her prospects for hydroelectric supply is second to none.
She is hugely blessed with diverse mineral resources.
No other continent is endowed with as much!
Yet notoriously, Africa with such fortunes and potentials
relentlessly wallows in the throes of economic woes.
Don't let your heart stay broken
Do not stay fixated on what could have been
Focus on all that was deep
Be thankful you smiled
Be thankful you cried
And be thankful you loved and were loved
Because no magician is strong enough to conjure the magic you've created
So don't let your heart stay broke
Don't focus on the darkness
Or things that did not last
Don't look back at your pas
When your future is that bright..
Every day is a good day. There is something to learn, care and celebrate.
"One of the sayings in our country is Ubuntu - the essence of being human. Ubuntu speaks particularly about the fact that you can't exist as a human being in isolation. It speaks about our interconnectedness. You can't be human all by yourself, and when you have this quality - Ubuntu - you are known for your generosity. We think of ourselves far too frequently as just individuals, separated from one another, whereas you are connected and what you do affects the whole world. When you do well, it spreads out; it is for the whole of humanity."
What To Read Next?
Rulers and Warrioresses: Protectors of Dahomey
From a small city-state in the early 1600s, the Kingdom of Dahomey grew to be a significant force in West Africa two centuries later. The expansionist plans and dualism where every male role has a female counterpart of its rulers were well-known. This led to the growth of women as royal guards, elephant hunters, and, ultimately, warrioresses, who had a significant impact on society. Up to the end of the nineteenth century, Dahomey's kings relied on the agoji, a group of fierce and fearless warrioresses, to protect their country. French invasion in the area was resisted by King Bhanzin and his elite agoji soldiers, but they were eventually defeated by the superior weaponry of the adversary. Despite Dahomey's conversion to a French colony, the women defenders' legacy lives on in the country's history.
Tales of the African Wild
"This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface."
Kingdom of Dahomey: A Brief Overview from Beginning to the End
The Kingdom of Dahomey, a West African kingdom that ruled for more than 300 years. It's the land of cannibalism, voodoo, brutal kings, beauty, and cruelty. This incredible story is unknown to many of us.
Make Your Bed
Changing the world starts with making your bed. This book is meant to motivate your children and grandchildren to be all that they can be. It's superb, astute, and succinct.
LIFE
LIFE is like a guidebook, offering insights on navigating through the highs and lows, twists and turns, and obstacles we encounter. It is filled with warmth, understanding, and valuable lessons that illuminate the joy found in simple moments. This book teaches us to embrace a life brimming with tranquillity, joy, and courage.